(Titles in square brackets were provided by JF for works left untitled)

Oils

Ambivalence, 1970-71—Artist (Art)
[Cock Bright], 1990—Intellect (Wallace Stevens)
Couple I, 1969-70,—Artist (Art), People (Other)
Couple II, 1973-76—Artist (Drawing); Artworld (1977)
Cypress Alley, 1963/64—Places (Interlude II)
Dawn, 1981-83—Places (Tepoztlán); Character (Resistance)
Enclosed Garden, 1963—Places (Seillons)
Equilibrists, 1972-1985—People (Other)
False Disasters, 1980—Intellectual (Wallace Stevens)
Figs and Olives, 1965-67—Places (Seillons)
Garden, 1973, oil—Artist (Art)
Garden Diagram, 1965—Places (Seillons)
Golden Chain, 1981-82—Artist (Image-Making)
Golden Opportunity, 1981-83—Places (Tepoztlán)
Grandparents I, 1968-69—Artist (Art)
Green Fire, 1967-69—Intellectual (Interlude VI)
Green Fire, previous stage, 1967-69—Intellectual (Interlude VI)
Head Wound, 1970—Artist (Art); Character (Driving)
Inland I, 1970—Artist (Drawing, Art); Artworld (1977)
[Joey, Shinski, and Annie] 1970’s?—Character (Being an Artist)
Journey South, 1973— Artist (Art)
Kissing the Moon, 1968-69—Artist (Image-Making),
[Lost Garden], 1980—Values (Politics)
Major Surgery, 1969-77—Artist (Art); Character (Body)
Moon Alley, 1969—Places (Seillons)
Moonlight Bathers, 1959—Intellectual (MFA)
Mutation, 1974—Artist (Image-Making)
Network, 1981-82—Pleasures (TV)
Noche Buena, 1981-82—Places (Tepoztlán)
Passion Play at Sandy Cove, 1980—Interlude V
Playground, of Escape, oil, 1981-82—Pleasures (Interlude IV)
Portrait of John, ca. 1959—People (Other)
Rainbow Triptych, 1980—Intellectual (Interlude V)
Risky Conditions at Sandy Cove, 1980—Interlude V
Salvage, 1974-75—Artist (Art)
Self-Portrait, 1960—Character (Resistance)
Solipsist, 1974—Artist (Art)
Sun and dead soldiers—Values (Politics-Afterwords)
Sunflower Hedge, 1960—Intellectual (MFA)
Sun Rising, 1960— Intellectual (MFA)
Switch, ca 1973-74—Intellectual (Stevens)
Switchback, ca 1968-69—Character (Driving)
Sun Setting,1963—Departure
Thermopane, 1980—Artist (Image-Making)
Third World Night, 1981-82—Places (Tepoztlán)
Triptych of the Knot, 1980—Intellectual (Interlude V)
Valentine with Love to Christiaan Barnard, 1968-77—Artist (Art)
[Wall], 1990—People (Interlude VIII)
Widow, 1964—Artist (Image-Making)
Who Are Those People?, 1990—People (Interlude VIII)

Drawings

[Apparition], ca.1972, pencil—Character (Depression)
Back Gardens in Seillons, 1964 , pencil—Places (Seillons)
Balancing Act, n.d., ink—Pleasures (Interlude IV)
Beach Girl, 1974, pencil—Artworld (Reputation)
Collision, 1977, pencil—Values (Interlude III)
Complacency, 1976, pencil—Artworld (1977)
[Couch Nude #4], ink, ca 1963—Artist (Drawing)
Door, 1974, pencil—Character (Depression)
Evocation, 1976, pencil—Pleasures (Music)
Field in Provence, 1966-82, pencil—Places (Seillons)
[Final Soliloquy], 1990, pencil—Artist (Drawing; Art); Interlude VIII
Flowers for Evelyn, 1983, ink—Character (Body)
Geology of Fear, 1974, ink—Artist (Art), Artworld (Ideologies)
Goddess, [1980], pencil—Intellect (Critical Eye)
Great Tree,1982-1986, pencil—Artist (Art)
Green Bay, 1980, ink—Places (Green Bay)
Growth over the Ruins, 1967-82, ink and casein—Artworld (Ideologies)
Hybrid Study, 1976-77, pencil—Artworld (Ideologies)
Jeannie #1, 1963, oil pastel, n.d.,—Values (Interlude III)
Jeannie #2, 1963, ink—Values (Interlude III)
Jeannie #3, 1980, pencil—Values (Interlude III)
[Jeannie, ink, ca 1963—Artist (Drawing)
Leaves, 1983, pencil and coloured pencil—Intellectual (Art Education)
Les Alpilles, 1964, ink—Places (Arles)
Listening to the Heartbeat, 1974, pencil—Character (Judgment)
Mexican Tea Party, 1982, pencil—Places (Tepoztlán)
Migraine, 1981, pencil—Character (Body)
Moonlight from the Balcony in Seillons, 1966-86, pencil—Places (Seillons)
Mother’s Morphine Dreams, 1967, pencil—Character (Morality)
Nature Girl—Character (Body)
Nesting, 1986, pencil—Artist (Drawing)
Nude with Blue Face, n.d., coloured pencil—Artist (Drawing)
Offering, 1978, pencil—Artworld (Administration)
Portrait of John, 1959, pencil—People (Other)
Possession, 1979, pencil—Artworld (Administration)
Queen Street backyards, 1965, ink and wash—Artworld (Ideologies)
Revelation, 1977, pencil—Artist (Art)
Seated nude, n.d., charcoal and graphite—Artist (Drawing)
Seillons hillside, 1964 or ’66—Artist (Drawing)
Seillons landscape, 1964 or ’66—Artist (Drawing)
Self-Portrait, 1977, ink—Character (Sayings)
Self-Portrait (Green), 1965, oil pastel—Character (Yo-Yo’s)
Six Women, 1979, pencil—Artist (Image-making)
[Sleeping Cutie], n.d., charcoal—Pleasures (Interlude IV)
Squash Blossoms—Male and Female, 1976-77, pencil—Artist (Drawing); Artworld (1977)
Stones, 1976-77, pencil—Artist (Image-Making); Artworld (1977)
Suzanne on the Bed, 1963, ink—Artist (Drawing)
Taste of Honey, 1970-76, pencil—Artist (Art)
Terraces to the Cemetery, nd, ink—Places (Seillons)
Tidal Rocks at Green Bay I, 1980, ink and wash—Places (Green Bay)
Tidal Rocks, 1963, ink—Artist (Drawing)
Tidal Rocks, 1963, oil pastel—Places (Green Bay)
Tiger Cat #1, 1962, ink—Artist (Interlude I)
Tiger Cat #2, 1962, ink—Artist (Interlude I)
Valley Looking East 1966, ink—Places (Seillons)
Village of Seillons, 1966, pencil—Places (Seillons)
Village in the Weeds, 1988, pencil—Places (Seillons)
[Voice Box], 1971, pencil—Character (Body)
Wild Surf, 1965, ink and wash—Artist (Drawing)
Woman Swallowing a Bitter Pill, 1979, pencil—Character (Depression)

Watercolours and coloured inks.

[And All the Trumpets Sounded], 1990—Departure
Departure of Summer, 1987— Character (Interlude VII)
Fire in the Gardens, 1988—Values (Politics)
Forest Candle, 1985—Intellect (Wallace Stevens)
[Furry Cat]. nd—Character (Detachment)
Kitten #1, 1961—Artist (Interlude I)
Kitten #2, 1961—Artist (Interlude I)
Kitten #3, 1961— Artist (Interlude I)
Kitten #4, 1961— Artist (Interlude I)
Morning/ Afternoon/ Evening, 1976—Values (Morality)
New Planting, ca 1989—Values (Sacralization)
Night Garden with Full Moon, 1985—Character (Being an Artist)
Waves n.d., coloured ink—Places (Green Bay)

Sculpture

Allen Tate, 1959, bronze—Artist (Drawing)
Old Lady, 1957, plaster—Artist (Drawing)
Young Girl, ca 1955, bronze—Artist (Drawing)

Prints

Folk Tales of Liberia, #1, 1960, monotype—Values (Morality)
Folk Tales of Liberia #2, 1960, monotype—Values (Morality)
Portrait of Allen Tate, 1959, etching—Artist (Image-Making)
Voyage, 1955, woodcut—Character (Stoicism)

Miscellaneous

[Bird], n.d., collage—Pleasures (Interlude IV)
[Supplicant], n.d., collage—Pleasures (Interlude IV)
Pendant, ca 1954, jewelry—Values (Sacralization)
Easter eggs, n.d., dyes—Values (Sacralization)
Valentine, n.d., collage—Values (Sacralization)

Photos

John in woods, 1959—People (Other)
John with skull. ca 1957—People (Other)
Queen Street backyards, ca 1964—Character (Being an Artist)
Vieux Rougiers, 1966—Places (Seillons)

Photos of the Artist

Album—Button on left panel.
In front of white wall, 1959—Intellect (MFA)
In garden with flowers, 1958—Character (Being an Artist)
In raincoat at outdoor table, 1964—Values (Judgment)
In woods—About the Artist
Laughing at kitchen table—Values (Sacralization)
Painting, in doorway—Intellect (MFA)
With bust of Allen Tate—Intellectual (MFA)
With mother—Values (Morality)
With Raghead, 1966—Places (Seillons); Values (Morality)
Working on “Moon Alley”—About the Artist

Drawing of the Artist

Hypothetical Portrait of Carol (Graham Metson)—People (Friends)